Around the time I was finally pursuing a Master’s program in Game Design from the IT University of Copenhagen, the field of Indie games had just exploded exponentially. This robust inclusion of all sorts of interaction design, in this more academically framed path, than the hands on BA, gave me a vocabulary to be able to articulate and combine some very interesting, and motivating discoveries, which fueled my Master Thesis on the topic of the ways that we “read” both comic book panels, and the adventure game puzzles which i grew up with, among a plethora of other applications.

After I completed the MSc program, I essentially saw myself as a game dev generalist, and i immediately started to work my own ambitious projects that i been incubating since i was a kid. But after a year of struggling to properly organize around the scope and realities of making the games i wanted to make, i was lucky enough to find work with some very passionate and talented people interning as a level designer and soon later as a game designer. This professional teamwork not only taught me how to break the barriers of real-life production, that most inexperienced solo developers and artists like me faced without knowing it, but generously giving me the robust tools to do so.

Over the better part of the last decade, I enjoyed engaging in various forms of inventive problem solving as a designer, be it of gameplay, level, narrative, or system design , which have developed my skills and instincts to a point of solid confidence within my field.

​

Unafraid of how much of a platitude it reads, ever since i learned how to make pixels move with the press of a gamepad button, I aim to professionally craft the type of experiences that have made such a lasting impression on me, and helped shape me into the person I am today.